Atmosphere captured from the sea Nataša Bezić by her intelligence comes from the analytical study of nature to a synthetic painting, an almost absolute abstraction, in which, however, we discern the echo of an already known landscape that contains the poetics and iconicity from expessionism. We can suppose that her graphic-pictorial views are going to be structurally developed into triple layers, directed chiefly to the ground as support, to the sky as light source and to water as movement. The whole is accompanied by a rich pictorial structure, by a portion of vibrant colors in which the gestural and inscribed together create tension and dynamism of art ... Gorka Ostojić Cvajner Butterflies In many of my works I rarely had the opportunity to write about animals. Of course, when we talk about butterflies, a more appropriate term to use is animalism. Why? Because of their symbolism, that comes out through visuality in a deeply related to the spiritual way. Nataša's watercolors by a wide range of colors are able to perform pointless harmony. Since the earliest visual representations, butterflies symbolize soul and love, and she is not moving away from the main topic... Marino Baldini The personal areas of gray The works in this exhibition can be experienced as ideogrammatic openings on white gallery walls. The lineup is dominated by gray tones, and it's absolutely not easy to decide whether this cycle is attributed to the echoes of history or some of the author's private moments. Narration is kept to a minimum. Looking at the painting , we must not ignore the possible motives of associativity. New artifacts offered us to look clean , stripped of knowledge. The effort is worth it: we had a great collection of " portraits " of personal status that does not neglect the reality of environments. Insinuations of possible materializes in a blanket format images. Works elude solid stylistic definition. Trying to fathom the process of creation, it seems as if forming stains and strokes sometimes stops the intention of the author... Eugen Borkovsky Houses The power of perception urges the artist to choose the motivation to make uttered personal condition. Detecting patterns and finding meaning in memory , she allows game. The motive becomes material for molding. Nataša Bezić presents a collection of works that she calls Houses. it's seems to be that the details of rural or historic architecture captured the attention of the painter. The figurative artist interprets the situation in large format colorfully narrow range. (...) And this time, the author addresses the real. Transminated the seen and experienced, decides to clip motives. Here we find the roof, windows, shutters, chimneys, gables, gutters, roof tiles, plaster husked, lantern lighting. Nataša Bezić serves up quick moves, contrasts, detailing roughly, as if it came soothe impressions. There is always a perspective view from below against the sky over the details. It's never a portrait of the house. It is always a reflection of the impression. Eugen Borkovsky Between (...) Each painting was made as an exploration. Searching fot the effects of figurative thoughs the entire cycle tells the true about the truly spiritual riches. This content can be read as a universal theme, although it is quite clear that these are intimate reflections and experiences without whose sincerity certainly works and this cycle is not even close to reaching levels not achieved artistic and narrative force . Marino Baldini Break (...) I think about the new series of large format paintings, portraits of the men in the urban context of its breather, resulting in the 2005th year. The author explores the role of the accidental, unobtrusively discusses and examines the social aspect of art. Its conventions and mechanisms in the creation of aesthetic judgments and beliefs. In turns into a conceptual process of the work and the artist behaves like a hunter with a digital camera and captures the"freezes" voyeuristicly selected characters by their knowledge or permission, for everyday activities, during detachment and relaxation. As completely normal people in completely normal situations of everyday life, deliberately unnamed, when the rest are sitting, alone or in company, while chatting, reading newspapers, just looking, obviously the usual coffee drinks, phone calls, and inevitably sounds rather small town and casual, everyday greetings. Gorka Ostojić Cvajner /Trans/Formations (...) These solar images and deeply sets, Nataša Bezić converts into another visible part of the exhibition in Pula, giving hereby confirms with the exhibition in Umag. This and her new pictorial world that is completely devoiding of color, creating a poetic content from monochrome uniformness, but at the same time caracterised by an aesthetic experience of order. The main motifs are the abandoned houses, where she's using the technique of consumption and visible structures, materials. This item comes from his creative genius and the seriousness of his artistic career. In these small images that plasma pasting the wrapping paper with design interventions through which she fixed the boundaries blacks, adding the white to give full-bodied creating elegant atmosphere where nothing seems too excessive. Gorka Ostojić Cvajner Fragments of eloquence (...) Caught in a moment, a camera, and recorded in the photographs, details of the rural coastal houses that are being transported in the medium of painting and become a true portraits of such architecture and architectural environments in its entirety. The author prosecuted painting passionally. Motifs as such is its moving spirit, the beauty we find in seaside ambience composed of just such details build the whole series. The one who follows his own intuition is always on the right track, so this series of paintings, which is still emerging, and does not stop at this exhibition, and it contains some scenes of nature, already contained in the root origin of each image, photograph. Gordana Trajković