Atmosphere captured from the sea

Nataša Bezić by her intelligence comes from the analytical study of nature to a 
synthetic painting, an almost absolute abstraction, in which, however, we discern 
the echo of an already known landscape that contains the poetics and iconicity from 
expessionism. We can suppose that her graphic-pictorial views are going to be 
structurally developed into triple layers, directed chiefly to the ground as support, to 
the sky as light source and to water as movement. The whole is accompanied by a rich 
pictorial structure, by a portion of vibrant colors in which the gestural and inscribed 
together create tension and dynamism of art ... 

Gorka Ostojić Cvajner



Butterflies

In many of my works I rarely had the opportunity to write about animals. Of course, 
when we talk about butterflies, a more appropriate term to use is animalism. Why? 
Because of their symbolism, that comes out through visuality in a deeply related to 
the spiritual way. Nataša's watercolors by a wide range of colors are able to perform 
pointless harmony. Since the earliest visual representations, butterflies symbolize soul 
and love, and she is not moving away from the main topic...

Marino Baldini



The personal areas of gray

The works in this exhibition can be experienced as ideogrammatic openings on white 
gallery walls. The lineup is dominated by gray tones, and it's absolutely not easy 
to decide whether this cycle is attributed to the echoes of history or some of the 
author's private moments. Narration is kept to a minimum. Looking at the painting , 
we must not ignore the possible motives of associativity. New artifacts offered us to 
look clean , stripped of knowledge. The effort is worth it: we had a great collection 
of " portraits " of personal status that does not neglect the reality of environments. 
Insinuations of possible materializes in a blanket format images. Works elude solid 
stylistic definition. Trying to fathom the process of creation, it seems as if forming 
stains and strokes sometimes stops the intention of the author...

Eugen Borkovsky 



Houses

The power of perception urges the artist to choose the motivation to make uttered 
personal condition. Detecting patterns and finding meaning in memory , she allows 
game. The motive becomes material for molding. Nataša Bezić presents a collection 
of works that she calls Houses. it's seems to be that the details of rural or historic 
architecture captured the attention of the painter. The figurative artist interprets the 
situation in large format colorfully narrow range.
(...)
And this time, the author addresses the real. Transminated the seen and experienced, 
decides to clip motives. Here we find the roof, windows, shutters, chimneys, gables, 
gutters, roof tiles, plaster husked, lantern lighting. Nataša Bezić serves up quick 
moves, contrasts, detailing roughly, as if it came soothe impressions. There is always 
a perspective view from below against the sky over the details. It's never a portrait of 
the house. It is always a reflection of the impression.

Eugen Borkovsky



Between

(...)
Each painting was made as an exploration. Searching fot the effects of figurative 
thoughs the entire cycle tells the true about the truly spiritual riches. This content 
can be read as a universal theme, although it is quite clear that these are intimate 
reflections and experiences without whose sincerity certainly works and this cycle is 
not even close to reaching levels not achieved artistic and narrative force .

Marino Baldini



Break

(...)
I think about the new series of large format paintings, portraits of the men in the 
urban context of its breather, resulting in the 2005th year. The author explores the 
role of the accidental, unobtrusively discusses and examines the social aspect of art. 
Its conventions and mechanisms in the creation of aesthetic judgments and beliefs. In 
turns into a conceptual process of the work and the artist behaves like a hunter with 
a digital camera and captures the"freezes" voyeuristicly selected characters by their 
knowledge or permission, for everyday activities, during detachment and relaxation. 
As completely normal people in completely normal situations of everyday life, 
deliberately unnamed, when the rest are sitting, alone or in company, while chatting, 
reading newspapers, just looking, obviously the usual coffee drinks, phone calls, and 
inevitably sounds rather small town and casual, everyday greetings.

Gorka Ostojić Cvajner



/Trans/Formations

(...)
These solar images and deeply sets, Nataša Bezić converts into another visible part 
of the exhibition in Pula, giving hereby confirms with the exhibition in Umag. This 
and her new pictorial world that is completely devoiding of color, creating a poetic 
content from monochrome uniformness, but at the same time caracterised by an 
aesthetic experience of order. The main motifs are the abandoned houses, where she's 
using the technique of consumption and visible structures, materials. This item comes 
from his creative genius and the seriousness of his artistic career. In these small 
images that plasma pasting the wrapping paper with design interventions through 
which she fixed the boundaries blacks, adding the white to give full-bodied creating 
elegant atmosphere where nothing seems too excessive.

Gorka Ostojić Cvajner


Fragments of eloquence

(...)
Caught in a moment, a camera, and recorded in the photographs, details of the rural 
coastal houses that are being transported in the medium of painting and become a 
true portraits of such architecture and architectural environments in its entirety. The 
author prosecuted painting passionally. Motifs as such is its moving spirit, the beauty 
we find in seaside ambience composed of just such details build the whole series. 
The one who follows his own intuition is always on the right track, so this series of 
paintings, which is still emerging, and does not stop at this exhibition, and it contains 
some scenes of nature, already contained in the root origin of each image, photograph.

Gordana Trajković